Tag Archives: Eilen Jewell

The Cinch Review

Eilen Jewell at the City Winery in New York City

Eileen Jewell review City Winery New York

Eilen Jewell is a singing gem from Boise, Idaho, and around 2005 she struck gold by combining her talents with guitarist Jerry G. Miller, bassist Johnny Sciascia and drummer Jason Beek in Massachusetts, and they’ve since been supplying the world with a well-poised balance of country and swing music with jazzy-torchy stylings, and a little bit of whatever else feels right mixed in. With Jewell writing the songs and providing the onstage patter in a trademark little black dress, they make for a sure-footed combo (one which has been around the world at this point) and they played to a sold-out crowd at the City Winery in New York City last night.

The set ranged from the title track of their first album, “Boundary County,” to new and as yet unreleased songs like “Rio Grande.” Eilen Jewell had the crowd fairly transfixed and charmed, and guitarist Jerry G. Miller had a sizeable fan section of his own in the house. Indeed, seeing the group live made it clear to what degree Eilen the singer and Jerry, her guitarist, are a symbiotic double-act: Jewell’s singing voice evokes words like smoky, languid, even laconic, and benefits greatly from the counterpoint of Miller’s rockabilly-esque colorings on the guitar, keeping the music chugging down the track and occasionally spitting fire. None of the tunes are overly-long, and knowing the value of brevity is just one of the many elements of good taste that Jewell and her band bring to their work. Continue reading Eilen Jewell at the City Winery in New York City

The Cinch Review

Twelve Gates to the City

Twelve Gates to the City

“Twelve Gates to the City” is a classic gospel number by the Reverend Gary Davis which Bob Dylan recently sang (in Toronto on July 15th, with guest musicians Jeff Tweedy of Wilco and and Jim James of My Morning Jacket). On YouTube you might just find someone’s amateur recording of that performance, and no doubt a version or two from the inestimable Rev. Davis himself (also purchasable here). But, in advance of a brief reflection of my own on the song, here’s a different version, a live one from the very charming singer Eilen Jewell and her band.

(Their recording of that is available with other great gospel numbers on an album titled The Sacred Shakers,a side project of Eilen Jewell and various musical compatriots.)

The song “Twelve Gates to the City” was inspired by chapter 21 of the Book of Revelation, where John’s vision of the New Jerusalem is described.

It had a great, high wall, with twelve gates, and at the gates twelve angels, and on the gates the names of the twelve tribes of the sons of Israel were inscribed—on the east three gates, on the north three gates, on the south three gates, and on the west three gates.

The walls of the city are said to be made of jasper, and the city itself is described as “pure gold, like clear glass.” As it happens, Bob Dylan once wrote a song of his own presumably inspired by the same passage of scripture, titled “City of Gold” (never officially released by him, but recorded by the Dixie Hummingbirds and featured on the soundtrack album for Dylan’s blockbuster movie, Masked & Anonymous).

Now, the length and width of the New Jerusalem are each specified in Revelation as being “12,000 stadia,” a measurement which in modern terms is equal to 1380 miles. That’s a heckuva big city. In fact, when you think about it, that is a city big enough for billions of people to live in. Naturally, the population density would be affected by zoning regulations, building codes and the like; on these matters, however, John the Revelator is unforthcoming. Continue reading Twelve Gates to the City