Anything Bob Dylan does continues to be grist for the media machine, as if he were a slightly more hirsute Taylor Swift, and the news that he would appear on the second to last episode of the “Late Night with David Letterman” show duly got the presses rolling. I was struck by the angle taken in New York’s Daily News, where, underneath a photo of the “legendary rocker” was this bit of editorializing: “The singer has been particularly obsessed with aging as his own career winds down.” Aside from begging for the observation that we all should be glad to have as many number one albums as Dylan when our careers are winding down, it made me wonder: Is Dylan really obsessed with aging? The article also states: Continue reading Bob Dylan: “Obsessed with Aging”?
Bob Dylan recently added the song “Autumn Leaves” to what has been for some time a very fixed live set list. He’s long been playing two sets divided by an intermission, and now he is finishing that second set with “Autumn Leaves,” whereupon he and his band depart the stage and are entreated back for the encore, which continues to be “Blowin’ in the Wind” and “Stay With Me.” “Autumn Leaves” is only the second song from his new album Shadows in the Night that he’s chosen to play live (alright: he did “That Lucky Old Sun” live some years back but that’s a different context). Recent accounts say he’s knocking them dead with this song and in fine form overall. Continue reading Bob Dylan – “Autumn Leaves”
I’ve long harbored the sense that it’s a bit farcical of yours truly to “review” a new Bob Dylan album; being as much of a fan as I obviously am, my enthusiasms tend to run over: I get carried away (especially absent any humorless editor to beat me down). Why pretend to offer an unbiased review? On the other hand, everyone has his or her own biases, declared or no. A review is most useful or interesting to a reader to the degree that the reader either shares those biases or at least appreciates their presence.
However, the special way in which it is impossible for me to pretend to offer a coldly objective review of Bob Dylan’s Shadows In The Night is this: I happen to know that he recorded this album for me. That has to affect things on some level. You see, while I like to think that I have eclectic taste in music, a quick glance at the CDs on my shelves or the gigabytes on my external hard drive would reveal that the music I’ve collected from two particular artists far exceeds the music I’ve collected from any other. Although I’m not into making lists of favorites—top ten favorite female singers, top ten favorite country songs, blah blah blah—there’s no necessity to sit back and wonder who my two all-time favorite musical artists are. They are Frank Sinatra and Bob Dylan. Continue reading (Review) Bob Dylan – Shadows In The Night
Many of the remarks Dylan made in his MusiCares speech a week ago are still echoing around the solar system, upsetting some as much as they’ve been entertaining and/or fascinating others. He covered a lot of ground and he named names, not always in a complimentary fashion. He said himself at the end of the speech: “I probably left out a lot of people and said too much about some.” That was a pretty good bet. So, obviously in the spirit of smoothing some, er, misimpressions, Dylan talked to writer Bill Flanagan, who has always been a worthy interviewer of Bob. Their conversation is posted at BobDylan.com and you can read it yourself. He also expands on some subjects he brought up, like the blues, rock & roll and all that jazz. Continue reading Bob Dylan Talks (Post-Speech Hoopla) to Bill Flanagan